Tuesday, April 18, 2017

post 4 "Girl Power"

     The five-female artist I will be writing about are Wangechi Mutu, Eunice Golden, Ebony G. Patterson, Annie Leibovitz, and Alyssa Monks. These women are powerhouse artists that use their life experiences, race and other things that women face as struggles in our society.  
    The first artist is Ms. Wangechi Mutu who is a Kenya born artist, she is a sculptor mostly and she also dose collages. She is living and working in Brooklyn NY, also in her work the themes are about race, gender, and colonialism. Her work Hundred Lavish Months of Bushwack is a powerful piece, which illustrate a hybrid humanoid being hold up by a small figure. They both have facial features of African descent. Furthermore, this piece is about race and has a deep underline psychological value of how people of color are seen or pixelated in paintings, books and other medias. This piece shows how the colonizers and race dehumanize colored people has creatures and savages because of language barriers and religious beliefs.
Wangechi Mutu, Hundred Lavish Months of Bushwack, 2004

   Ebony G. Patterson
     The Studio Museum's Project Space will feature a new site-specific, mixed-media installation by Ebony G. Patterson on the subject of violence committed against young people of color (including deadly police actions) and the fears that focus on these same young people, who in the eyes of too many people appear as threats rather than victims. In the artist’s words, “These children are often described as adults. Their blackness overrules the presumption of innocence.”
. . . when they grow up . . . will present images of black youth in hand-embellished, large-scale, photo-based wall works, juxtaposed with a variety of elements associated with childhood and race. The installation will be designed so that visitors will negotiate the space as if experiencing it from a child’s height. “I am hoping to create a moment of beauty, 'sainthood,' and humanity,” Patterson states, “and to call into question the stereotypes that are projected about black youth.
. . . when they grow up . . . is the artist's first solo exhibition at the Studio Museum. Her work was previously included in the group exhibition Caribbean: Crossroads of the World (2012). Patterson currently divides her time between Kingston, Jamaica and Lexington, Kentucky.
Ebony G. Patterson: . . . when they grow up . . . is organized by Lauren Haynes, Associate Curator, Permanent Collection.This piece is at the Harlem Museum.

Ebony G. Patterson. . . they were just boys (. . . when they grow up . . .), 2016
   Ms. Patterson is one of the female artists I’m using for my semester project which I’m documenting the process on my art page on Facebook @conseysart and Instagram @conseyart. Ms. E. G. Patterson is a Jamaican artist and her artwork is about how ‘bling’ of Jamaican Dancehall fashion and always concerned with the issues of gender and sexuality. Her works are hybrid painting/ sculpture collages   pieces that has deep roots into the Jamaica dance, music, night life and the life inner city people vs uptown people in Jamaica. Her artwork I’ll be sharing are called; Brella Krew- From the Fambily Serie, Detail and   Swag Swag Krew (revised) from the out and Bad Series, Detail: also, her work is at the Harlem Museum.
Ebony G. Patterson,  Swag Swag Krew (revised) from the out and Bad Series, Detail, 2011-13
Ebony G. Patterson, Brella Krew- From the Fambily Serie, Detail, 2011-13
    The complexity of Ms. Ebony G. Patterson’s work is phenomenal and the way she addresses classicism in her work is unique because of the play on Jamaican Dancehall culture, which present in the pieces I’d shared. 
Annie Leibovitz
   Annie Leibovitz, considered one of America's best portrait photographers, developed her trademark use of bold colors and poses while at 'Rolling Stone.'
QUOTES
“I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time.”
—Annie Leibovitz
Synopsis
Photographer Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. In 1970 she landed a job at Rolling Stone and went on to create a distinctive look for the publication as chief photographer. In 1983 she began working for the entertainment magazine Vanity Fair, continuing to produce images that would be deemed iconic and provocative. Having also worked on high-profile advertising campaigns, Leibovitz's images have been showcased in several books and major exhibitions around the world. 
Video: That's Continental | On The Road With Annie Leibovitz. 
     Ms. Leibovitz is a photographer which I consider to be a feminist; in her work’s she not only captured the subject matter but also the essence of the person in the photos. She also documented the effect of war in the beginning of her career. The reason why I stated that Ms. Leibovitz   is a feminist art is because most of her work is about empowering women. She made many books but one of her books have powerful women in the art world and other fields, the book is a calendar. The Pirelli Calendar is the name of the book which feat artist like Yoko Ono and others representing their birth month, also the photos are in black and white, and was made in 2016.
 Eunice Golden 
NEW YORK, NY
USA
Born in New York City, Eunice Golden departed from her early studies in psychology at the University of Wisconsin to focus on her artwork. As a figurative expressionist, she eschewed pop and minimal art, and explored sexuality depicting the male nude. In the 1960’s, as her marriage was dissolving, Golden’s dramatic artwork converged with and paralleled the ideas expressed by the women’s liberation movement 
    Ms. Golden is an expressionism, figurative and abstract artist. She is a feminist painter from NYC. She best known work is about the exploring sexuality using the made nude, female gaza. Her work is not only painting its photograph and film making. her artwork is painting about the nude man body as a landscape painting have change the man gaza to the female gaza #girlpower.     
Eunice Golden, “Landscape #160”©1972
Alyssa Monks
     Ms. Monks is a super realism artist that because of the passing of her mother changed her life and art work. She is from N.J. her work beginning as painting about human figure in water. The loss of her mother made her art into landscape, abstract. She refunds herself and made super realism naturalistic. Her new art style is landscape portrait even though, Ms. Monks is not a feminist artist but all or most of her work is about women faces and in the woods. The video I shared is on the evolution of her work.
                          Video: The Beautiful Awful | Alyssa Monks | TEDxIndianaUniversity

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