4/4/17
Modernism
Abstraction
Sonia Delaunay, Couverture de Berceau, 1911 |
Abstraction was a form of art that women during the 20th century began to create. Abstraction does not necessarily have a main focus, its typically created using different shapes, textures and colors. Women like Sonia Delaunay used quilts, book covers, curtains, dresses and other objects that accessible within a household. One summer Delaunay wanted to go against the typical medium of a canvas and decided to create dresses that allowed her to express herself in a way that went against the current fashion trends. "Their patterns of abstract forms were arranged both to enhance the natural movement of the body and to establish a shimmering movement of color" (Chadwick 262). By establishing something new this gives her more power to her and eventually to other women, to go against the followed norms. The image to the left is a picture a one of Sonia Delaunay's pieces, which is a blanket. The blanket is crafted of different fabrics and textures, that was once for her baby Charles. Sonia Delaunay created a way to bring art to connect with her life.
Sonia Delaunay, Sonia's Designs for Clothes and Citren, 1925 |
German Expressionism and Dada
German expressionism consisted of artists prior to World War II and artwork that told a story in a way that related to social or political aspects. These young artists were changing the culture of Germany, although it did not last long, it still held an impact on the art world. Dada was also an art movement that arose during the 1920s. Dadaism is described as, "an art movement that challenged every convention (except male supremacy) and scandalized society" (Guerrilla Girls 66). It consisted of artists who wanted to break the rules and create art that rejected logic and reasoning. Dada was sometimes expressed through collages. Hannah Hoch was a german dada artist who created very bold pieces of art. One of her very well known piece of work was Marlene. In Marlene we can see below that a woman's legs are put on display for the viewer, which proves that the male gaze continues still. Also at the bottom there are men calling at the legs, which depicts again that the legs are on display. We can also see a woman's lip in the upper right hand corner, with no sight of her eyes, which again is another inclusion of the male gaze because the female does not look in the direction of the painter. Through this piece of work, Hannah Hoch is not trying to make it pleasing to the audience, but send a deeper message.
Hannah Hoch, Marlene, 1930 |
Frida Kahlo, The Broken Column, 1944 |
Surrealism
Surrealism was another movement that took off during the 20th century, right after the Dada movement. Surrealism allowed the artist to express their unconscious mind through the form of art. An artists imagination was a big part of surrealist art. Surrealist artists sought to dig through the unconscious mind and express it through their art, which led to many other movements for the art world. A very well known surrealist painter was Frida Kahlo, who was from Mexico. Frida began her interest in art when she was in recovery, from her near death bus accident. After her accident she became involved with Diego Rivera, who encouraged Frida's work. Frida's art work was quite different for the time. She eventually found others who expressed themselves similarly to Frida, which were surrealists. "They believed their exploration of dreams and the unconscious mind was universal, crossing all times and cultures. They claimed me as one of them (Guerrilla Girls 78). Frida had found herself and others who were similar to her. In one of Frida's pieces, called The Broken Column, she depicts herself as bare and hurt. Inside of her she paints a broken column going all the way through her body, representing the the structure supporting her is breaking. We can also see there are tears pouring down her face as well as nails pinned all over her body. The biggest nail is right in her heart, which is from all the pain Diego has caused Frida throughout their entire relationship. Frida is suffering in this self portrait; she was able to find a way to express herself through surrealism.
Frida Kahlo, The Two Fridas, 1939 |
Work Cited
Chadwick, Whitney. Women, Art, and Society. Londres: Thames & Hudson, 2012. Print.
The Guerrilla Girls' bedside companion to the history of Western art. London: Penguin, 1998. Print.
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