Thursday, April 6, 2017

Lioness emerging

                                         Modernism

      Modernism is a mid-19th to 20th century art movement that was influence or born from the 19th century art movements Impressionism and Post-Impressionism. The 20th century women were still not seen has an artist but known as a craft makers. However, during this artistic movement multiple sub movements were taking place in Europe artistic movements like; Cubism, Dada, Futurism, Favism, Constructivism, De Stijl, Superematism, Optimism, etc. In the Western Modernism, most of the European art movement were practically the some like Surrealism but, the Western art world was different from Europe because of Abstract Expressionism, Pop art, Contemporary art, Feminist art and many others. Also, one have the keep in consideration that some if not all the sub art movements were political in nature because of the wars in that time. Even though, women are still not seen has artist’s they had major impact in the early haft of the modernism art movement and throughout the era, A.K.A. Shadow Artists.  

                    Fauvism, Optimism and Surrealism
   The Fauvist movement was the first form of abstract, Wassily Kandisky is known has the father of the fauvist (Wild beasts) but his wife Nina Andreevskaya was the founder of the painting style with its stained glassed looked and free impressions brushwork. But her husband to the movement to the next like and got known for the style    

Emile Charmy, La Loge 1902

     In Optimism, the painting style is like quilt Craft work one of the only art styles women were free to practice. In the movement women challenged the male viewer to see art through the eyes of a woman, also gender role and fashion. Sonia and Robert Delaunay were the founder of the Optimism movement even though Sonia worked alongside her husband; his work was more known then hers. “Sonia didn’t mind the Robert was touted as the genius of the twosome. While his painting never changed very much over the years, Sonia was always innovating, thinking of new ways their ideas could be applied to the world at large. Her work pushed the envelope between art and life…she went on to paint again and have museum exhibitions of her own” (The Guerrilla Girls,61). Sonia Delaunay was the brain behind her husband fame as well as the first iconic fashion artist to change the style of clothing women wear. Also, her design became more industrial because of the Russian revolution and was mass produce on clothing, vehicles and the list goes on.

Sonia Delaunay, Flamenco dancer, 1916
    While Claude Cahun the Surrealists art was challenging the spectator to rethink what is the rolled of a woman, The Guerrilla Girls; “Claude Cahun was one of the first 20th-century females to dree up and photograph herself in the of art…Claude took pictures of herself in a range of gender-bending stereotypes that would make Dennis Rodman Jealous: male dandies, ultrafeminine maidens, and ambiguous androgynies” (61). Regardless of the fact she was a lesbian Cahun ripped a hole through the male gaze and causing chaos in the art world. Frida Kahlo is the most famous western female Surrealists artist, in her work she doesn’t hold back the pain and raw emotion she felt. Ms. Kahlo work is unique because its painting of a nude female (herself), painted by a woman the challenged the male gaze and the viewer to not only see her pain but to feel the pain. She paints nude and at the something the nude commands the audience while she is trying to figure out her identity. Even though Frida is a powerhouse female artist her work was shadow over by her husband Diego Rivera mirror art. Her painting Without Hope is not as known as The Two Fridas or The Broken Column and Henry Ford Hospital but message is the same underline psychological trauma she faced from her marriage, loss of her child and her accident. Frida is special mixed heritage and the fact that she was educated in art history.  

Frida Kahlo, Without Hope, 1945
         Abstract Expressionism, Pop art and Feminist art

     Dada is one of the political art movement, the dada art used newspaper, books etc. to challenge the government and play on the male gaze. Female artist like Hannah Hoch was image of women body part the men mostly look at to show the woman has a sex object and not a person. Late in her work became more political because of the Nazi takeover, and she started to add text and writing the word dada in to her art work.
Hannah Hoch, untitled collage, 1930

  when some people hear, the words abstract expressionism they think of Jackson Pollock or Willem De Kooning, but Lenore ‘Lee’ Krassner was the main reason people even know about Jackson Pollock. Lee Krassner was friends with most of the dada artists in New York city and she love abstract art and made some of the abstract expressionism art met the dada artist, also her fund some of their art shows. She was married to Pollock and was an abstract expressionist artist herself. The painting style of Ms. Krassner is mosaic, automatic drawing and painterly brushwork.  

Lee Krassner, Night Creatures, 1965
 Pop art is one of the more male-dominated modern art movement, and Andy Warhol is one of some famous pop artist. Female artist like Evelyne Axell used silkscreen and collago and using found object to multiple prints. Also pop art is highly influenced by the dada art movement. 
Evelyne Axell, Le fruit defendu 1. 1969

       The feminist art movement was art made by woman to show the real life of a woman and the injustice face every day.  This movement took place at the sometime as WWII and the freedom riot. Judy Chicago, Barbara Kruger, Carolee Schneemann, and Miriam Schapiro are some of the feminist artists and even in this movement women of color have to fight to be apart the history and changing art world. Chadwick; “O’Keeffe’s paintings of natural forms and the female body elicited readings which the artist herself recognized as ideological constructions” (305-6).  Even though Ms. O’Keeffe doesn’t consider herself as a feminist the brush style of her work with the roundness of the image give it that feminist touch of woman and nature. The modern woman is still begining over shadow that her male even though his may not be on the same level of superiority as hers.  
Georgia O'Keeffe, Jack-in-pulpit No. IV, 1930


CITATIONS
Chadwick, Whitney. Women, Art and Society. London: Thames & Hudson, 2007. Print.

The Guerrilla Girls' Bedside Companion to the History of Western Art. London: Penguin, 1998. Print.


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