Audrey L. Flack
Born: May 30th, 1931 in New York
Audrey L. Flack is an American Artist. Her work spearheaded the workmanship classification of photorealism; her work incorporates painting, model, and photography. Flack has various scholastic degrees, including both a graduate and a privileged doctorate degree from Cooper Union in New York City. She also has a four year college education in Fine Arts from Yale University and went to New York University Institute of Fine Arts where she considered craftsmanship history. Flack's work is shown in a few noteworthy exhibition halls, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Solomon R. Guggenheim Museum. Flack's initial work in the 1950s was unique. Flack slowly turned into a New Realist and afterward developed into photorealism amid the 1960s. She was the primary photorealist painter to be added to the gathering of the Museum of Modern Art in 1966. Audrey Flack Paints a Picture, "She has taken the indications of liberality, excellence, and overabundance and changed them into profoundly moving images of longing, worthlessness, and liberation." Audrey is best known for photorealism; The class, taking its signs from Pop Art. Flack's work gets ordinary family things like containers of lipstick and, most generally, natural product. Flack regularly acquires genuine records of history into her photorealist works of art, for example, World War II' and Kennedy Motorcade.
 - image from google images |
| Now why is this my favorite painting of Audrey L. Flack? In the first place, there are a couple of images of death: the hourglass, the timetable, and the clock all allude to the progression of time. Marilyn Monroe was a sex image; however Flack incorporates lipstick, a minimized, fragrance, and gems all to demonstrate that magnificence is short lived. Marilyn is a discourse on a standout amongst the most understood symbols of excellence Marilyn Monroe. Despite the fact that many thought she had it all, she passed on at an exceptionally youthful age from a plausible suicide. Audrey's piece proposes that magnificence is unquestionably brief and doesn't generally prompt to joy. |
Written By: Desiree Melendez ♥
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