The expected roles of women in Europe during the middle ages
were to either be a nun or a good wife and mother. A woman was often engaged by
the age of twelve, and married by the age of fifteen. Her expectations as a
wife were essentially to serve her husband and his family. A woman was property.
She was kept illiterate and educated only in a manner that suited her role as
domestic caretaker. The closest thing to liberation a woman could experience
was being a nun. Nuns were literate and educated. They occupied various spaces
in society that were closed off to women outside the nunnery. “They operated businesses, farmed, made tapestries, copied
and illustrated manuscripts, composed and performed music. And they educated
one another,” (Guerrilla Girls 22).
With time the city of Bologna became the hub of
educated women in Europe. It also became quite the prosperous place for women artists.
“There was even a school for women artists, founded by the painter Elisabetta
Sirani. And guess what…there were more women artists in Bologna during this
time than anywhere else in Italy,” (Guerrilla Girls 30). The artwork often reflected
the domestic life that women often dealt with. Or they reflected the struggles
that women in society often faced. Some women like Artemisia Gentileschi,
depicted the revenge of woman who was raped.
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